
The Martian Rose was shown as a work rather than documentation – the piece features a custom built chamber allowing audience to experience the outcome of an experiment where a rose was exposed to Martian conditions.


Bioteknica showed their works using video, images and a small installation/prototype of their work Teratoma. Their peculiar style is reminiscent of a biotech company.

Paul Thomas and Kevin Raxworth projected their work Midas directly on the underground mural of the exhibition space. Using data gathered from an atomic force microscope, the atomic vibration between the skin cells and gold is demonstrated. The work algorithmically simulates the translation from skin cells transforming into gold - alluring to the King Midas curse – in which "everything he touches turns into gold."

Anthony Hall's recreation of B2 reaction looks at the strange phenomenon of mixing a solution of citric acid, acidified and cure salt producing geometric patterns such as concentric circles and Archimedean spirals. Some patterns could be seen in the during the time of the exhibition and it would be interesting to have more sample mixes as well as to see their evolution over time.











